The United Nations Educational, Scientific, and Cultural Organization (UNESCO) has recognized Portuguese Equestrian Art as an Intangible Cultural Heritage of Humanity.
Portugal’s traditional dressage, dating back to the 18th century, is characterized by the rider’s distinctive costume and poised position in the saddle.
UNESCO’s recognition honors Portugal’s rich equestrian culture and its global significance. This honor, achieved in December, highlights the heritage of the Lusitano horse, one of the oldest horse breeds in the world.
Book @ Amazon.com
With roots in the Iberian Peninsula, Lusitanos were originally bred for war and bullfighting due to their agility and bravery. Known for their strong, compact bodies, arched necks, and calm yet responsive temperament, Lusitanos excel in high-level dressage and intricate maneuvers.
In addition to dressage, these horses play a central role in traditional Portuguese bullfighting, where their quick and precise movements are crucial for outmaneuvering the bull.
Book @ Amazon.com
At the heart of this tradition lies the profound connection between rider and horse. Training is built on patience, respect, and mutual understanding, resulting in performances that mesmerize audiences. These displays are not only demonstrations of skill but also celebrations of the beauty and nobility of the Lusitano horse.
The techniques practiced today originate from ancient military training, where horses were required to perform quick, precise, and elegant movements essential in battle. Over time, these practical skills evolved into a celebrated art form renowned for its grace and refinement.
Portuguese Equestrian Art enjoys a strong following in countries with a deep appreciation for equestrian traditions, such as Spain, France, and the United Kingdom. In recent years, its artistry and cultural significance have gained recognition among equestrian enthusiasts in the United States and other parts of the world.
Book @ Amazon.com
Known as the “Portuguese dancing horses,” they are celebrated for their elegance, power, and precision, particularly in classical dressage. These horses embody Portuguese equestrian tradition, showcasing extraordinary athleticism and responsiveness to their riders.
The Lusitano breed is closely associated with the Portuguese School of Equestrian Art, a prestigious institution dedicated to preserving Portugal’s classical baroque horsemanship traditions. The school, based at the Palácio Nacional de Queluz, near Lisbon, focuses exclusively on the Lusitano breed, dating back to thousands of years.
The United States Lusitano Association (USLA) is a group that works to preserve, promote, and protect the Lusitano horse breed in the United States and Canada. The USLA works with the Portuguese Lusitano Horse Association (APSL) to maintain high standards.
PAJ/STAFF
UNESCO added the Portuguese Equestrian Art to its list in December:
“Equestrian art in Portugal is a combination of functionality and aesthetics. It is characterized by the rider’s position on the saddle, as well as by the traditional attire and harnesses used. Equestrian art in Portugal establishes a sense of harmony and deep respect between rider and horse, with the rider communicating with the horse to encourage its willing collaboration, without the use of force. The practice is therefore based on respect for the animal and its well-being. It requires a horse that is flexible, manageable and ready to follow the rider’s instructions, such as the purebred Lusitano. Practitioners include women and men of all ages. For instance, a group of exclusively women riders practice the ‘monte à amazona’, riding on one side of the saddle. Equestrian art in Portugal is transmitted through academies, riding schools and equestrian centres in Portugal and abroad. Cattle handlers, breeders, veterinarians and craftspeople also play a fundamental role in the preservation and promotion of the practice in Portugal and abroad, and the ongoing production of related treatises, books and manuals further contribute to its transmission and knowledge. A source of collective identity, the practice is featured in pilgrimages, annual fairs and other social events.“
